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		<id>https://wiki.frontyardprojects.org/index.php?action=history&amp;feed=atom&amp;title=Madeleine_Mills</id>
		<title>Madeleine Mills - Revision history</title>
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		<updated>2026-05-28T03:07:30Z</updated>
		<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://wiki.frontyardprojects.org/index.php?title=Madeleine_Mills&amp;diff=211&amp;oldid=prev</id>
		<title>Miska: Updating residency description</title>
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				<updated>2018-06-30T03:16:42Z</updated>
		
		<summary type="html">&lt;p&gt;Updating residency description&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;While at Frontyard Madeleine will be researching Crush logic affiliated with Astrid Lorange’s anti-essentialist readings of Gertrud Stein (1).  Madeleine acts upon crystalized images as they strike— unpacking ideas around how we read ‘poetry in motion’ as a phrase and activity that cannot be distinguished from the work we do daily; the “intensive, extensive moments towards intimacy that continually defer the realization of ‘romance’ in favour of facing the question of what intimacy might or could be.” (2)&lt;br /&gt;
&lt;br /&gt;
 Madeleine is working toward a diminutive/accumulative process and dependence on probable failure or indifference through the attitudes of Crush and Eros; to look more closely at how we might re-radicalise desire in a world that is so staunchly against this process (3).&lt;br /&gt;
&lt;br /&gt;
 (1)  Astrid Lorange, How Reading Is Written; A Brief Index to Gertrude Stein&lt;br /&gt;
&lt;br /&gt;
(2)  Astrid Lorange in interview with Aodhan Madden, UN 9.1&lt;br /&gt;
&lt;br /&gt;
(3)  ibid&lt;/div&gt;</summary>
		<author><name>Miska</name></author>	</entry>

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